THE PHILOSOPHY OF NATURE IN ARABIC AND ENGLISH SUFI POETRY CRITICAL STUDY

Abstract

Ibn Al-Farid, Al-Jaili, and others, with the formulated experience of the English Romantic poets. Nature was the point of convergence between them, and a stage for explaining the nature of their mystical and literary experience, as well as standing on the philosophical outputs of nature represented by the idea of Pantheism. All this came through the poetic blogs of both the Arab mystical poets and the English Romantic poets, such as William Blake, William Wordsworth, Samuel Butler Coleridge, John Keats, and Percy Bysshe Shelley. Among the outputs of this scene, the research gained its importance in monitoring the poet's relationship with himself and with nature through inspiration to reach the Creator's vision in his creations. As for the reason for choosing the English Romantic poets, it is due to the purity of their experience and their honesty. After the decline of the classical doctrine, which glorifies materialism and prevails over rational inferences, the Romantic poets appeared in the eighteenth and nineteenth centuries AD to sway their imaginations and reach the heights of the sky, and to prevail over the aspect of the spirit. Their gustatory and literary experience has become a cross-fertilization of the ideas of the mystical experience, and even converge in many of its intellectual and literary paths.