Methods of building the overall picture in the poetry of Jawad Al-Hattab

Abstract

   There is a poetic model that tempts the researcher to delve into its folds, attracts him to his world, and stimulates in it the desire to pursue its secrets, reveal its charms, and publicize what it harbors in its interior. This desire has two justifications: the first is subjective, and the other objective. in rank and position; Because the objective is the scientific basis, which means that the text in it is one of the creative elements that have not been given the right to research and study that deserves to be scrutinized and scrutinized, and that the poet creates a new text, through which he creates an aesthetic and cognitive issue that needs monitoring and reconnaissance to solve the problem that it raises.

What is new that the woodcutter put forward to be worthy of research?

    The answer is not easy, but needs evidence and proofs, and this will be clarified by the research by approaching its texts, but it is useful to provide a brief condensed vision showing that the woodcutter presented a text worthy of the research.

Al-Hattab has a creative experience in which he dealt with multiple issues through which he expressed his own vision through various elements, and since poetry is a creative experience and a mental process by the writers who were inspired by their lives to enter literature through the gate of poetry, God decreed for them to move to the world of rhetoric and eloquence, and what follows it From dealing with the methods of graphic performance, and drawing the features of the poetic image, from all of that came my choice for the subject of the study tagged ( methods of building the overall picture in the poetry of Jawad Al-Hattab